Honoring Brian Piccolo
More than four decades ago, the Piccolo cancer fund drive got its start with a modest vision posed by fraternity guys.
Read MoreTag: Class of 1981
Global Study Through New Eyes
Dave Middleton (‘81) marvels at the impact of study-abroad experiences in London with his spouse, who is resident professor at Worrell House.
Read MoreInspiration Abounds at WordsAwake4!
A virtual feast of the written word celebrates new Writers Hall of Fame inductees.
Read MoreSummer’s Hottest Books
The newest members of the Writers Hall of Fame — plus one — offer their top picks.
Read MorePortraits of Pro Humanitate
Members of the Wake Forest community exemplify the University's motto in action.
Read MoreThe Greatest Gift
Sara Johe Busse (’81) has never met a volunteer opportunity that she didn’t love.
Read MoreCan We Talk?
Wake Forest has launched a national movement to gather its people for powerful, meaningful conversations.
Read MoreTime Traveler
Syd Kitson ('81, P '08) relies on childhood memories, football lessons and an unwavering vision to build his 'Town of the Future' in South Florida.
Read MoreReal-life Drama
Jerf and his lively band of students navigate tragic and comic moments to stage a Shakespeare play, all in 74 days.
Read MorePortraits of Pro Humanitate-4
From quiet acts in meeting an immediate need to large leaps of faith in founding nonprofits, members of the Wake Forest community prove the spirit of our motto is alive in the world.
Read MoreWhat it Takes
Since dropping the SAT requirement, Wake Forest relies more on interviews and written materials to evaluate prospective students.
Read MoreCarol Barbee (’81) ready to launch “Touch” on Fox TV
Carol Barbee (’81) teams with Kiefer Sutherland and “Heroes” creator Tim Kring on new Fox drama “Touch.”
Read MoreBrad Nix brings back Chesster and the gang for Homecoming
Brad Nix (’81) brings back his cartoon alter ego, Chesster, just in time for the Class of 1981’s 30th reunion.
Read MoreExhibit features Leah Durner (’81) paintings
Leah Durner (’81) examines the materiality of color in her ‘naked’ artwork.
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